Programme by Track
Jump to: Workshops, Papers, alt.nime, or Music.
Workshops (all on 23 June):
There are limited spaces for each workshop. Some workshops require that interested participants submit an expression of interest, proposal or demo and may have their own internal deadlines. Please see each workshop's page for more information. For the workshops that do not require a submission, please sign up here. More detailed workshop sign-up instructions are available here
Full day (9am-6pm):
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Collective Attachments and Community Responsibilities: The Impact of NIME Research
by Tove Grimstad Bang (STMS-Ircam-CNRS-Sorbonne Université)*; Florent Berthaut (CRISTAL Université de Lille); Benedict R. Gaster (University of West of England); Raul Masu (Conservatory of Music F. A. Bonporti)
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The Third Bank of the River Lea: Listening to Waterbodies in East London
by Ania Mokrzycka (Loughborough University London); Luiz Ribeiro Sales Fonseca (Loughborough University London); Karina Townsend (University of East London); Vitoria Croda (Loughborough University London); Ines Nolasco (Loughborough University London); Courtney N. Reed (Loughborough University London)*
Morning (9am-1pm):
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Data Knot: Machine Learning for low latency real-time performance
by Rodrigo Constanzo (Royal Northern College of Music)*; Jordie Shier (Centre for Digital Music Queen Mary University of London)
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From Tacit to Tokenised: Critical Perspectives on AI Text-to-Audio Interfaces
by Charalampos Saitis (Queen Mary University of London)*; Fabio Morreale (Sony AI); Landon Morrison (University of Rochester); Ashley Noel-Hirst (Queen Mary University of London); Rebecca Fiebrink (University of the Arts London); Joseph Meyer (University of the Arts London); Courtney N. Reed (Loughborough University London)
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It’s Play NIME: Mapping Playfulness in NIME
by Lucia Montesinos (IT University of Copenhagen)*; Tara Pattenden (Queensland Conservatorium Griffith University); Lia Mice (Institute of Contemporary Music Performance)
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Workshop on Haptic Musical Artifacts: Availability, Replicability, Sustainability of Force-Feedback Devices
by Christian Frisson (University of Calgary)*; Marcelo M. Wanderley (McGill University)
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Tilde: Collaborative Multi-Modal Music Making on the Web
by Ashvala Vinay (Georgia Institute of Technology)*; Ian Clester (NoneType)
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Sounds Like Rain: Prototyping Flexible Electronics for Wearable Interactions with Water
by Jessica Stanley (Nottingham Trent University)*
Afternoon (2pm-6pm):
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Textile Testimonies: Feminist Sonic Practices with Domestic Instruments
by Jocelyn Ho (University of Sydney)*; Margaret Schedel (Stony Brook University); Sofy Yuditskaya (Pôle Universitaire Léonard de Vinci), Susan Goodwin (The University of Sydney)
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Respiratory Musical Interfaces (RMIs) in NIME
by Ziyue Piao (McGill University)*; Kanya Chen (Keio University)
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LATAM NIME GATHERING 2026
by Laddy Patricia Cadavid Hinojosa (University of the West of England UWE Bristol)*; Teo Dannemann (Creative Computing Institute – University of the Arts London); Juan Martinez Avila (University of Nottingham); Ximena Alarcón Díaz (Universidad de Antioquia); João Tragtenberg (Universidade Federal de Pernambuco (UFPE)); Laura Zapata (Independent Researcher); Juan C. Duarte Regino (Aalto University); Moisés Horta Valenzuela (Independent Researcher); Jaime D. Rojas Vargas (Independent Researcher)
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I Resist The Body Electric: Subverting the Capture of Musical Gestures to Train AI Models
by Fabio Morreale (Sony AI)*; Morgan Scheuerman (Sony AI); Giacomo Lepri (Università di Genova); Liam Pram (University of Auckland); Astrid Bin (Universität der Künste)
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Future NIME Leaders Workshop
by Charles Martin (Australian National University)*; Yichen Wang (Australian National University); Pia van Gelder (Australian National University); Doga Cavdir (ITU); Fabio Morreale (Sony AI); Andrew McPherson (Imperial College); Juan Avila (Nottingham); Stefano Fasciani (University of Oslo); Courtney Reed (Loughborough)
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Zero-Code Rapid Prototyping of Wireless MIDI Devices with ESP-NOW MIDI
by Thomas Geissl (University of the Arts Linz/Tamlab)*
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What Makes it Fun? Mapping Playful Interaction in Music-Making with AI
by Jingjing Sun (Imperial College London)*; Francesco Di Maggio (Eindhoven University of Technology); Rebecca Fiebrink (University of the Arts London); Corey Ford (University of the Arts London); Bart Hengeveld (Eindhoven University of Technology); Sebastian Deterding (Imperial College London)
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Feedback-Actuated String Instruments Workshop
by Adam Schmidt (Imperial College London)*; Andrew McPherson (Imperial College London); Jeff Snyder (Princeton University)
Papers
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Body, Bend: Resolving the soft-rigid paradox using 3D printing innovation
by S. M. Astrid Bin; Nyokabi Kyriũki; Alex Hofman
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Considerations Towards Outdoor Impact Mitigation of Site-Related NIME Practice
by Xinran Chen; Nicolò Merendino; Iurii Kuzmin; Mark Grimshaw-Aagaard
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Anywhere and here: zcreative a toolkit for distributed control
by Benedict Gaster; Nathan Renney
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The Skateboard Embaire: Reanimating tradition through musical instrument design
by S. M. Astrid Bin; Samuel Karugu; Basile Huguenin
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What NIME talks about when it talks about touch
by S. M. Astrid Bin; maj nikita doehring; Berit Greinke
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Host Your Ghosts: Recontextualizing the Ouija Board as a Communal NIME for Music Performance
by Anthony Marasco; Alexis Bacon; Sandro Barros
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Con Moto: Embodied Steering of Music Transformers for Live Dance Improvisation
by Zhixing Chen; Heidi Lei; Cheng-Zhi Anna Huang
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Exploring Breathing-Music Coupling: Using the Breathing Mirror for Somatic Reflection in Piano Performance
by Ziyue Piao; Yohei Wada; Isabelle Corssette; Marcelo Wanderley; Akira Maezawa
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Uzulangs: a Community of Musical Pattern Languages
by Alex McLean; Felix Roos; Matthew Kaney; Martin Gius; Diego Villaseñor; Dagur Kristinn Sigurðsson Björnsson; Jack Armitage; Julian Rohrhuber
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State of the art on audience research within NIME: a systematic literature review
by Davide Baldo; raul masu
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Paper Tape — A Cassette Tape without Prior Acoustic Information
by kazuhiro jo
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The DIY MidiMbira: Bridging Traditional Playability and MIDI Technology forPedagogy, Innovation, and Performative Practice
by Guillermo de Llera Blanes
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Audionce: An Audiovisual Improvisation Environment Co-Designed by Deaf and Hearing Designers
by Alon Ilsar; Matt Hughes; Yuka Maruyama; Andrew Johnston
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Sonic Interactions as Situated Urban Practice with BIKES
by Henrik von Coler
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Software as Instrument: COMDASUAR and the Co-Design of Code and Hardware
by Rodrigo Cadiz; Federico Schumacher; Juan Parra Cancino; Michel Rozas; Tomás Koljatic; Miguel Farias
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Opening the Design Space: Two Years of Performance with Intelligent Musical Instruments
by Charles Martin
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Cultural Inertia and Technical Concretisation: A Systematic Review of Keyboard Interfaces at NIME
by Yiming Li; I-Chieh Wei; Fabio Morreale
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Exploring Real-Time Interfaces With Sensory Percussion
by Graham Lazorchak; Emily Wang
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Immanent Practice: Accounts of Optical Sound Filmmaking
by Jasmine Butt; Benedict Gaster; Nathan Renney; Tom Mitchell
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KinoGroove: Composing with Muscle and Motion in Extended Reality
by Nathan Salin; Ronan Gaugne; Diane Haering; Valérie Gouranton; Florent Berthaut
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A Digital Twin for Theremin’s Terpsitone from 1970s
by sergey kasich; Breanna Lau
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Knotty Oscillator: Breaking knot topology for a new physically-inspired sound generator
by sergey kasich; Emir Chacra
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Communal invention in Prehistoric NIMEs: a case study of Hugh Le Caine’s Electronic Sackbut
by Ezra Teboul
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In The Round: Exploring the Cultural Model of Disability in Accessible Music Improvisation
by Ciaran Frame; Steph O'Hara; Alon Ilsar; Melinda Smith
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Qianji: A Resilient Framework for Orchestrating "A Thousand Machines" in Distributed Performance
by Ruilei Duan; Zhengyang Ma
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TECHNO-UTOPIA: Music Emerging from Colliding Embedded AI Instruments with Radio Orchestras and their Archives
by Robert Laidlow; Nicola Privato; Victor Shepardson
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Weaving Before Electronics: A Spiral Design Process for Sound-Interface Making
by Patricia Cadavid Hinojosa; Nathan Renney; Judith Aston
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Modernizing the Machine Lab with Mechatronic Immersive Design and Artificial Intelligence
by Colton Arnold; Zhaohan Cheng; Ajay Kapur
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Ephemerides: A Microtonal Feedback Instrument Based On Transgender Voice Training Technique
by June Kuhn; Andrew McPherson
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PerFormer: An AI-Driven Approach to Melody Generation in Microtonal Persian Music
by Farzad Hosseinabadi; Ian Gibson; Christopher Dewey
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"See Link for More Details": Towards a Pragmatic Open Methodology at NIME
by Matthew Hamilton; Michele Ducceschi; Lucia Michielin
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Calliphony: A Calligraphy-Driven Interface for Real-Time Generative Music Performance
by Tristan WU; Ruiji YU; Gus XIA
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OTIAC: Co-Improvising With a Musical Agent in a Feedback-Based Guitar Performance
by Claudio Panariello; Ken Déguernel
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The Readymade Synth: Prepared Synthesis with Everyday Objects
by Antoni Rayzhekov; Martin Murer
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The Larsen Station: A Customizable Module Setup for Integrating Electroacoustic Feedback in Chamber Music
by Maurilio Cacciatore
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Performing Performance Spaces: Amplifying Context in Live Music
by ana schon
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Integration of Freesound content in creative applications and sound interfaces: a survey of use cases
by Panagiota Anastasopoulou; Frederic Font; Xavier Serra
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Latent Terrain: Adapting Neural Audio Autoencoders as Design Materials in NIME
by Shuoyang Jasper Zheng; Keigo Yoshida; Nico García-Peguinho; Jiatong Liu; Dan Hearn; Anna Xambó Sedó; Nick Bryan-Kinns
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Ehecatl: A Frugal Digital Wind Instrument Inspired by Aztec Cosmogony
by Manuel Ruiz
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Interactive Fan Dance: Towards a Community-Informed, Culturally Situated Interactive Dance Instrument
by Jason Gao; Shirley Nguyen; Alexandria Smith; Brian Magerko
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Interviews with Practitioners Shaping Internet-Based Collaborative Music-Making
by Jiayue Wu
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Coypu and Phausto: accessible live sound coding with Pharo
by Domenico Cipriani; Sebastian Jordan Montaño; Stéphane Ducasse
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Manubrio: Investigating Musical Instrument Embodiment Through a Feedback-Based New Interface for Musical Expression
by Sergio Ramos Galindo
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On Values, Technological Mediation, and the Artifacts they Create
by Brittney Allen; Andrew McPherson
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Cultural Timbre as Unvoiced Knowing: An Audiovisual Spectral Synthesizer That Transforms Chinese Musical Instruments
by Yong Zhao; Marcel Zaes Sagesser
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Hybrid Drum: Iterative Development Toward Standalone Operation and Physical Feedback
by Casper Preisler; Dan Overholt
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Turntangilism: Enhancing traditional Turntable Setups with Tangible Controls for Digital Sequencing and Live Sampling
by Thomas Geissl
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Grounded Yet Shifting: Shaping Hybrid Performance Ecologies with Dynamic Tonality
by John Bowers
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Tian Jinqin’s String-Controlled Instruments: Formalizing and Reimplementing a Ribbon-Based Interaction Design Pattern
by Enrique Tomás; Boris Shershenkov
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Network Bending as Circuit-Bending Inspired Live Neural Synthesis Hacking
by Błażej Kotowski; Frederic Font
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Techniques for Closely-Coupled Sensing and Actuation in Digital Musical Instruments
by Matthew Davison; Adam Schmidt; Andrew McPherson
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Designing Strategic Incongruity: An Audio Device for Sharpening Pencils
by shinnosuke hirose; Yuta Uozumi; Ryoho Kobayashi; Shinya Fuji
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The Obstruction Manual: Insights on Sharing Instrument Design Knowledge for Active Learning
by Nicolò Merendino; Raul Masu; Giacomo Lepri
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Feedback Ocarina - a DIY entry level instrument for feedback musicianship
by Krzysztof Cybulski
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SynthAccess: First Steps Towards Improving Synthesizer Accessibility for Blind Musicians
by Stefanie Koseff; Madeline Mau; Moira Zhang; Ciarra Black; Jason Wallach; Izabella Rodrigues; Punya Aragula; R. Luke DuBois; William Payne
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Z-Wah: Appropriating the Wah via Digital Impedance Synthesis
by Francisco Bernardo; Andrew McPherson
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Giromin Residency Report: Creative Exploration by Musicians and Dancers from Frevo and Afro-Brazilian traditions
by João Tragtenberg; Filipe Calegario; Eva Rolim Miranda
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Sounds from Mismatch: Sensorimotor Prediction Error as Sonic Material in Augmented Reality
by Domenico Stefani; Alberto Boem; Luca Turchet
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Probing Latent Space Interactions with Real-time Generative Audio Models Through a Physical Controller
by Domenico Stefani; Francesco Dal Rì; Luca Turchet
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Tuneable Machine Learning in Musical Instruments: A Duoethnography
by Chris Kiefer; Adam Staff; Andrea Martelloni
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Magnetic Memory Rushnyk
by Sofya Yuditskaya; Margaret Schedel; Jocelyn Ho
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Designing a Spatial Vibrotactile Interface for Accessible Spatial Audio Mixing by Blind and Visually Impaired Music Producers.
by Christina Karpodini; Tychonas Michailidis; Richard Davies
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Mezcal: A Collaborative Transmission Art Instrument
by August Black
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FO2 - Building A Wearable Laser-Feedback Instrument: Performing body-space-technology entanglements
by Nicola Hein; Viola Yip
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Performing with the inclusive machine: An interdisciplinary roadmap for the design of AI collaborative musical instruments
by Pablo Mollenhauer; Alejandra Pérez Núñez
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The Extended Encounter: Kicking Against Methodology
by Thor Magnusson
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Distributed Agency in Collaborative Improvisation with Intelligent Instruments: A Phenomenological Inquiry
by Halla Stefánsdóttir; Robert Ek; Thor Magnusson
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Repertoire-Centred Design: Mechanical Augmentations in Digital Lutherie for Acoustic Musical Instruments
by Francesco Manenti; Raul Masu; Francesco Ardan Dal Rì; Luca Turchet
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Immersive Open Studio: Shared Space, Shared Sound
by Sunshiyu Wang; Changda Ma; Canting Zhu; Gibran Mobarak; Henrik von Coler
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Choreographing the Way of Water: A Computational Framework for Aquatic Robotic Art
by Aswin Karthik Ramachandran Venkatapathy; Christopher Golling; Sebastian Burmester; Noa Sendlhofer; Ruiheng Jiang; Jan Kamm; Raffaello D'Andrea
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A Community Moving with Air in the immersive Sound Installation HUELLAS DE AIRE (Traces of Air)
by Ximena Alarcón-Díaz; Esteban Henao; Ron Herrema; Adriana María Gutiérrez-Grisales; Juan Felipe Amaya-Álvarez; Jorge Bejarano Barco
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Sustained Interests: Lorentz Time Division Multiplexing (LTDM) for Active Collocated String Control
by Adam Schmidt; Andrew McPherson
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Between Intimacy and Immensity: Composing Multilayered Immersive Live Music for Bone Conduction Headphones and a Speaker-Dome Array
by Nicola Giannini; Andrea Gozzi; Dominic Thibault; Ana Dall'Ara Majek; Kevin Gironnay; João Sebastião Lessa Catalão
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Enhancing Expressive Musical Conversation in the jam_bot
by Lancelot Blanchard; Perry Naseck; Katherine Liang; Joel Tan; Heidi Lei; Cheng-Zhi Anna Huang; Joseph Paradiso
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Playing Rough: Malleable Tentacle Instruments for Participatory Performance
by Tara Pattenden
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Re_Embodying, Situating, and Resisting: Creative Strategies for a Latin American Cyborgism
by Gustavo Guzmán
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JuggLing-a-Ding: Design and Development of a Musical Juggling Toolkit
by Léo Kulinski; Wendy E. Mackay; Michel Beaudouin-Lafon; Nicolas M. Thiéry
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Oscilla: The Score as Performable Interface
by Rob Canning
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Crip Design for Collaborative Musical Interfaces: Iterative Development of Bot Party, a Touch-Based Sonic Game
by Phoenix Perry
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RenCon 2025: Revival of Expressive Performance Rendering Competition
by Huan Zhang; Taegyun Kwon; Anders Freiburg; Junyan Jiang; Hayeon Bang; Hyeyoon Cho; Gus Xia; Akira Maezawa; Simon Dixon; Dasaem Jeong
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The Aerophone Kit: A Toolkit for Pneumatic Musical Instrument Design
by Francesco Di Maggio; Catharina Maria van Riet; Sergio Picella; Berry Eggen; Bart Hengeveld
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e-baton: Recognising Conducting Gestures with Machine Learning
by Marko Jeremic; Akito Van Troyer
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Re-Animating the Archive: Performing a Machine Learning System as Living Memory
by Jonathan Reus
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VoixTenue: Exploring Real-Time Gestural Control of Vocal Synthesis on a Mobile Phone
by Adrien Scazzola; Xiao Xiao
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Deep Drawing: Performance Surface Sound Source Localization
by Lennon Seiders; Julie Zhu; John Granzow; Alex Zhang; Anusha Chinthamaduka
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FXplorer: A Map-Based Interface for Exploratory Audio Effects Design
by Annie Chu; Jason Smith; Bryan Pardo
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Zen-PCB: Material Honesty and Structural Metaphor in a Naked PCB Granular Looper Instrument
by Ryoma Okuda; Julián Villegas
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Csound’s Brain: A Real-Time EEG to Harmony, Melody, and Music System for Interactive Performance
by Shiying Chen; Richard Boulanger
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Accessible Musical ALife Through LLM Co-Creation
by Michael Clemens; Piotr Walas; Victor Shepardson; Jack Armitage
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Multi-Agent Swarm Syntax: An Approach to Live Coding with AI
by Sven Hollowell; Pete Bennett; Paul Marshall
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Hypercuica: Augmenting and Performing with an Afro-Brazilian Friction Drum
by Luam Clarindo ; Marcelo Wanderley ; Filipe Lopes
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Where Do I Go?: A Game-Based Exploration of Failure and Playfulness as Musical Expression
by Zeynep Özcan ; Mya Gordon
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From Controller User to Instrument Designer: Teaching NIME in a Contemporary Music Context
by Akito van Troyer
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Teaching Interactive Music Systems: a Research-Oriented, Project-Based Graduate Course in a Multidisciplinary Master’s Program
by Stefano Fasciani
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PHOTON: Non-Invasive Optical Tracking of Key-Lever Motion in Historical Keyboard Instruments
by Noah Jaffe; John Ashley Burgoyne
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From Passive Agent to Musical Partner: Insights from the MAD Clarinet Project as a Case Study
by Rui Travasso; Enrico Dorigatti
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SonoCube: A Handheld Motion-Responsive Sound Object
by Szymon Walendowski; Akito Van Troyer
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Listening to Amazônia Verde Viva: Transmorphic Intersections of Ecology and Music Technology in the Global South
by Luiz Ribeiro Sales Fonseca; Thiago Albuquerque; Albery Albuquerque; Courtney N. Reed
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Autonomous Listening-Based Synthesizer Control with Reinforcement Learning for Live Sound Matching
by Vincenzo Madaghiele; Stefano Fasciani; Tejaswinee Kelkar; Çağrı Erdem
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VibeFM: Visual Exploration of FM Synthesis
by Simeon Rau; Finn Tobien; Michael Sedlmair
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The Gift of Chaos: Rob Hordijk's Open Design Philosophy and the Formation of Post-Digital Instrument Communities
by Pere Amengual-Gomila; Alfredo Sanz-Hervás
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From the Speculative to the Tangible: Incorporating Generative AI Tools into an Accessible Instrument Design Workflow
by Hugh Aynsley; Miggy Barker; Dave Meckin; Catherine Warner; Thomas Mitchell
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Extended Reality Audio-Visual Instruments: Design Framework and Case Study
by Esther Gruy; Florent Berthaut
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Looking NIME in the ‘I’: Tracing the social life of digital musical instruments
by S. M. Astrid Bin
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Negotiating Control and Agency: Somaesthetics and Feminist Perspectives on a Wearable E-Textile Instrument
by Qiaosheng Lyu; Ryo Ikeshiro
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Solstice: A new work centred on music, bridging disciplines and creative freedom with instruments
by iran sanadzadeh; luna valentin
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Co-Designing Virtual Reality Musical Instruments and Spatial Layouts for Collaborative Music-Making
by Alberto Boem; Stavros Skouras; Gad Baruch Hinkis; Mélodie Mousset; Luca Turchet
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Imagined Movement as Sonic Gesture: Auditory Expression from a Deep Learning-Based Motion Decoding BCI
by Niall McShane; Karl McCreadie; Attila Korik; Damien Coyle
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Bring Your Own Bow: Real-Time Bowing Parameter Estimation from String Sensor Data
by Eoghan Ó Néill; Maarten van Walstijn; Miguel Ortiz
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Biofeedback Suite as an Instrument: Emotion Mappings for Musical Practice
by Lluis Guerra Recas
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Layika: A Wearable Device Mapping Traditional Hand Gestures to Tabla Sound
by Prakriti Mukherjee; Akhilesh Kumar Bhagat; Kratika Jain; Vivek Rawat; Lakshmi Srinath; Soubhagya K Dev; Sumit Kumar; Gowdham Prabhakar
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A Web Interface for Real-Time Interaction with Machine Learning in Musical Performance
by Hongzhe Zhu; Charles Martin
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RhythmTable: A Tangible Interface for Cyclic Rhythm Sequencing
by Allwin Samuvel; Tanya Chhabhadiya; Abhishek Kapahi; Pravin Kumar Vasveliya; Abhishek Kashyap; Leha Chilumuri
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Robo-Sax Quartet: A Semi-Automatic Robotic Saxophone System for Augmented Ensemble Performance
by Gou Koutaki; Masatoshi Hamanaka
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nOdes: A Networked Constellation of Handheld Orbs for Community Music-Making
by Thomas Didiot-Cook; Simon Jones; Johanna Blee; Nadine Meertens; Razanne Abu-Aisheh; Ophelia Deroy; Sabine Hauert
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Tian Jinqin’s String-Controlled Instruments: Formalizing and Reimplementing a Ribbon-Based Interaction Design Pattern
by Enrique Tomás ; Boris Shershenkov
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Embedded, Modular, and Affordable High-Density Loudspeaker Arrays
by Maxime Popoff; Romain Michon; Pierre Cochard; Tanguy Risset
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Effects of Rhythmic Stimulation of Different Sensors on Rhythm Stability and Cognitive Load
by Li Yu; Chien-Hsiung Chen
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Ultrasound Probe as Tool for Tangible Sound Performance Using Physically Sculpted Phantoms
by Kevin Blackistone
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A Live-learning Punitive Interface for Improvisational Performance Dynamics
by Kevin Blackistone; Martin Kaltenbrunner
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Navigating a Guzheng Phrase Corpus Through Ballet-Driven Granular Synthesis
by Yueshen Wu; Yuting Xue
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nocturneAR: An Outdoor AR-Based Musical Interface in Dark Transitional Landscapes
by Masami Hirabayashi; Kakuya Shiraishi; Scott Allen
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Human-in-the-Loop: Crossmodal AI Alignment between Movement and Audio Latent Spaces for Expressive Sonification in Dance Performance
by Koray Tahiroğlu; Mikael Hokkanen; Ariana Marta
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Recipe for a ghost catcher: an infrasound-powered hybrid instrument-sonic installation
by Rubén Bañuelos Preciado
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Understanding Listener Perceptions of AI and Human-Composed Music in Emotional Applications
by Kimaya Lecamwasam; Tishya Ray Chaudhuri
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From Control to Co-Agency: Reframing Instrumentality through Sonic Traces in Augmented Musical Practice
by Mercedes Krapovickas; Jan Schacher
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Automatic Live Music Soundchecking with Reference Audio on a Laptop
by Matthew Keating; Michael Casey
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Emotion and Expressivity in Music Performance: A Multimodal Approach
by Natalia Kotsani; Spyros Kantarelis; Vasilis Lyberatos; Edmund Dervakos; Giorgos Stamou
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Umbilical: A Hybrid System for Creating Custom Modular MIDI Controllers - A Eurorack/VCV Rack Case Study
by Celeste Betancur Gutiérrez
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A Text-Steerable Instrument for Sketching Procedural Soundscapes via Language Models
by Prabal Gupta
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A Phase-Coherent Paradigm for Audio-Laser Synthesis
by Mike Cassidy; Kristian North
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Sound Swarm: A Synthetic Ecology of Embodied Mesh Synthesizers for Emergent Soundscapes
by Mikhail Mansion; Yasuaki Kakehi
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Traktor Kontrol S4 Mk3 Is Not a Turntable No Matter How Bad I Want it To Be: But That's OK Because I Accept It For Who It Is
by Joseph Thibodeau
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The Story of The Max Lab: A Thirty-Six-Year Collaborative Journey
by Sasha Leitman , Stanford University); Matthew Wright , Stanford University)
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Robo-Bend: A Human-in-the-Loop Robotic Interface for Guitar String Bending
by Harumoto Kaneko; Gou Koutaki; Shigeru Kai; Akira Maezawa
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Drifting in Currents of Currents: A Hydro-Acoustic Interface for Gesture-Driven Neural Sound Synthesis and Entropic Memory
by Tak Cheung Hui; Xiaoqiao LI; Chun-ting CHAN; Cheuk-Kit CHUNG
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Playing Together with a Semi-Automated Robotic Flute Using a Gesture Cue Detection System
by Jaeran Choi; Juhan Nam; Hikari Kuriyama; Gou Koutaki
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Novice Users' Evaluation of Two Multi-track Music Machines for AI-Assisted Music Composition: Usability, User Experience and Acceptance
by Renaud Bougueng Tchemeube; Jeff Ens; Keon Ju Maverick Lee; Philippe Pasquier; Jean-Baptiste Rolland; Yvan Grabit; Maryam Safi
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Rumbler: A Reverb-Based Feedback Instrument
by Tae Kyu Kim
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Towards Sensory Attenuation as a Measure of Agency Provided by Digital Musical Instruments
by Erik Løvaas; Courtney Reed; Paul Strohmeier
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Lagu Hantu: Creating computationally-mediated ensembles across time
by Anastasha Rachel Gunawan; Matthew Caren
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Orbis: Composing a Light-and-Sound Installation with Min Waves Generated in Artificial Cells
by Yukihiro Sugawara; Kotaro Watanabe; Shinnosuke Hirose; Moe Miyake; Kenshiro Taira; Sakura Takada; Ryoho Kobayashi; Yuta Uozumi; Kei Fujiwara; Shinya Fujii
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Cross-Modal Sig2Sig Machine Translation with Deep Generative Modeling for NIME Design
by Lucy Strauss; Prashanth Thattai Ravikumar; Matthew Yee-King
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The Carpet Maker’s Hafted Tool: A Hackable Instrument for Sonoric Textile Practice
by Joseph Burgess; Toby Gifford; Alex Wixted
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From Improvised Movement to Musical Improvisation - Using Machine-Learning to Create Personalized Instruments for Dancers
by Daniel Bisig; Alexander Oknupik; Johannes Schneider; Diane Gemsch; Eleni Mylona; Tim Winkler
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iXeRemin: Designing a Polyphonic MR Instrument for Artistic Performance and Interaction
by Gwangyu Lee
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The Community studio as Score: Composing experimental music infrastructures
by Yashas Shetty
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Feeling Connected: Designing Instruments and Haptic Feedback for Collaborative Music Exhibits
by Paul Preuschoff; Karl Deilmann; Lea Schirp; Jan Borchers
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A Collaborative Sound Installation Using Projected Geometry and Spatial Interaction
by Hani Alshamrani; Sam Ferguson; Andrew Johnston
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Accomplice: Computer Accompaniment for Keyboard Performance
by Roger Dannenberg
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Shared Agency through Collaborative Trajectory Editing in Immersive Audio
by Lennart Sailer; Henrik von Coler
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The Perfect Wrong Note: Vyping and the Keyboard as Musical Interface for Human-LLM Interaction
by enrique encinas; Alexander Refsum Jensenius
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Accessible Wind Instruments: Normalizing Breath Control Around Comfort
by Jia Wu; Dr Tom Mudd; Dr Una MacGlone
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The no-input pedalboard: practice, theory and reflection on the development of a new network-instrument
by Danny Bright; Lee Westwood
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Peripersonal Modular Interfaces for Care Ecologies: Decoupling Sensing and Surface in Accessible Digital Musical Instruments
by Wing Hei Cheryl Hui; Patrick Hartono
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Role-Separated Live Movement Sonification: Toolkits as Mediators of Distributed Agency in Performance
by Michael Reichmann; Vincent van Rheden; Alexander Meschtscherjakov
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The Aural Cartographer's Dilemma
by Austin Franklin
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Scalable Accessible Music-Making with Commodity Controllers and Modular Augmentations in Resource-Constrained Settings
by Calvin McCormack
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BeatMohan’s Symphony: Designing a Game Environment to Scaffold Pattern-Based Musical Organization
by Noel Alben; Jason Freeman
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CamJam: A Modular Collaborative and Accessible Digital Musical Interface
by Frej Lorenzen; Kevin Hansen; Emil Zawistowski; Eirini Liapikou
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Constructing creativity: secondary school pupils designing and building musical instruments with Lego
by Ross Purves; Nicolas Gold; Evangelos Himonides; Dan Wang
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Histories of the Schmitt Trigger in Handmade Electronic Instruments for Making Sound in the Arts: A Literature Review
by Pia van Gelder
-
Shifting Time Scales: Supporting Live Gesture-Controlled Generative Music with Speculative Execution
by Jason Smith; Bryan Pardo
-
Murzinograph: Navigating Sound through Latent Space Visualizations
by Gustavo Guzmán
-
Seraph: An Educational Framework for Building Sensor-Driven Interactive Art and Music Projects
by Solomon Rosenthal; Ajay Kapur; Andrew Piepenbrink
-
Beyond Direct Geometry: Spring-Mass Control of Tongue Articulation for Vocal Synthesis
by Debasish Mohapatra; Ziyi Xia; Sidney Fels
-
Satie: A Creativity Support Tool for Authoring Spatial Generative Audio
by Mateo Larrea; Richard Boulanger; Yuhao Zhang; Jerry Chen; Pedro Sodre
-
Extending Instrumentality Through Mechanical Augmentation and Sound Synthesis in a Microtonal Harp
by Han Zhang; Anqi Liu
-
Performing Sequences: Interaction and Instrumentality in the Design of a Performable Sequencing System
by Roberto Chiurazzi; Anna Xambó; Charalampos Saitis
-
Algorithmic Drum Machine with Light Dependent Timbre Control
by Nikhil Bullock; Charalampos Saitis; Anna Xambó
-
A Smart Footwear Platform for Gait Augmentation Application to Musical Feedback for Improving Gait in Parkinson's Disease
by Yuki Uno; Fushi Sano; Riki Saito; Ryo Yumoto; Tomoya Nakamura; Tomohiro Samma; Kenta Tanaka; Harukaze Yatsugi; Makoto Sawada; Yuya Kikukawa; Shinya Fujii
-
An Exploratory Educational Drama: Scenographing with Sound in an Immersive Narrative Space
by Lei Li; Siliang Du; Duoyi Li; Wenxuan Zhu; Qihao Wang; Yulin Chen; Runhan Liu
alt.nime
alt.nime is a place for something different. In the spirit of alternative format, the alt.nime accepted submissions have been organised into installations, zine, talks, and "happenings".
alt.nime 2026 is chance to open and provoke conversations, expanding NIME’s typical palette of what is considered academic practice, going beyond the traditional formats and presentations.
Talks
-
Learning and Embodying Algorithmic Music via the Pyramid Tala
by Alex McLean, Then Try This / Pattern Club Dan Stowell, Tilburg University
-
RiTA Is Not An Instrument
by Stephen D. Wolff, Brighton & Hove Music for Connection / Max Gate Digital Ltd
-
Speed Makes Us Oblivious: A Slow and Responsible Approach to Engaging with Audio Sample Archives
by Trisha Khallaghi, University of Bristol Pete Bennett, University of Bristol Atau Tanaka, University of Bristol and Goldsmiths University of London
-
Cage Off: Two Implementations of 4’33” in ChucK
by Nicholas Shaheed, CCRMA, Stanford University Primrose Ohling, CCRMA, Stanford University Ge Wang, CCRMA, Stanford University
Installations
-
Emergent Resonance
by Visda Goudarzi, Columbia College Chicago
-
Sound in Silver: A 16mm film screening and zine
by Jasmine Butt, UWE, Bristol Jennifer Wicks, University of Glasgow Graeme Hogg, Nachleben Film Lab, Suffolk Kathy Hinde, Bristol Experimental Expanded FIlm (BEEF) Enrique Del Castillo, UMBRAFONO Vicky Smith, Bristol Experimental Expanded FIlm (BEEF) Matt Davies, Bristol Experimental Expanded FIlm (BEEF) Melanie Clifford, Bristol Experimental Expanded FIlm (BEEF) Lewis Heriz, Shropshire
-
Outlandish Lullaby as a Counter-Listening Device: Rest, Untranslatability, and Intimate Estrangement in NIME
by Jiyou Park, Independent Artist/Researcher
-
Pop Music
by Walker Smith, CCRMA, Stanford University Nicholas Shaheed, CCRMA, Stanford University Michael Mulshine, CCRMA, Stanford University
-
Rethinking Data Practices for ‘Intelligent’ Musical Interfaces
by Elizabeth Wilson, Creative Computing Institute, University of the Arts London
Zine
-
LATAM NIME Zine 2026
by Juan Martinez Avila, University of Nottingham Patricia Cadavid H., UWE The Bridge Studios, University of the West of England Rafaele Andrade, Independent Ximena Alarcón Díaz, Universidad de Antioquia Luam Clarindo, Universidade de Aveiro Teodoro Dannemann, University of the Arts London Juan C. Duarte Regino, Aalto University Gustavo Guzmán, Independent Moisés Horta Valenzuela, Tangible Music Lab Alvaro López Duarte, UCR Brain Game Centre Juan M. Ramos, Universidad Nacional de Quilmes Manuel Ruiz, Independent Daniel Upegui Flórez, Universidad de Antioquia
-
radical interaction: a podcast of interaction exchange
by Benedict R. Gaster, University of West of England Nathan Renney, University of West of England Courtney Reed, Loughborough University London Rodrigo Constanzo, Royal Northern College of Music Jasmine Butt, University of West of England Maisie Palmer, University of West of England Laddy Cadavid Hinojosa, University of West of England Kathy Hinde, Independent Artist Sarah Angliss, Imperial College Atau Tanaka, Goldsmiths University of London Tom Mitchell, University of West of England
-
No-gos, Incidents, Malfunctions and Errors: The Encyclopedia of Failed Performances
by Iurii Kuzmin∗, Hong Kong University of Science and Technology Xinran Chen∗, Hong Kong University of Science and Technology (GZ) Wenqing Gu∗, Hong Kong University of Science and Technology (GZ) Nicolo Merendino∗, Hong Kong University of Science and Technology (GZ)
Happenings
-
ritus wired sacerdos - Ritualistic NIME
by Nicholas Shaheed, CCRMA, Stanford University Héloïse Garry, CCRMA, Stanford University
-
Connecting to Ground: A Séance in the Wick Woodlands
by June Kuhn, Imperial College London Byuka Makodru, Independent Artist & Researcher Courtney N. Reed, Loughborough University London Adam Schmidt, Imperial College London
Music
-
Pillow Talk
by Kayla Yazdi (Independent Artist)
-
Sounding Canvas: A Networked Social Artwork Bridging Distant Communities through Tactile Interaction
by Luciano Ciamarone (Independent Researcher)*; Dora Motèque (Independent Researcher); Marco Giordano (University of L'Aquila)
-
Melody Slot Machine with RoboSax
by Masatoshi Hamanaka (RIKEN); Gou Koutaki (Kumamoto University)
-
Resonant Sources
by Marilene Oliver (University of Alberta); Scott Smallwood (University of Alberta)
-
Pyramid tala
by Alex McLean (Then Try This)*; Matt Davies (-)
-
The Light That Entangles
by Steve Symons (University of Sussex)*
-
SÉANCE. Ode to Oram.
by Eleonora Oreggia (Goldsmiths University of London)*
-
Crumble
by Sophie Rose (University of Melbourne)*
-
EyeLa
by Lee Cheng (Anglia Ruskin University)*; Wing Yan Jasman Pang (Technological and Higher Education Institute of Hong Kong)
-
The Discourse of an Instrument, and a Thousand Machines
by Ruilei Duan (Nanjing University of the Arts); Zhengyang Ma (The Hong Kong University of Science and Technology)*
-
A Small Oil Painting of a Nest
by Rodrigo Constanzo (Royal Northern College of Music)*
-
Beaufort Scale: A data soundscape for live improvisation representing the formation of storm structures
by Oliver Bown (University of New South Wales)*
-
Eaves Verse
by Shunhang Huang (Zhejiang Conservatory of Music)*
-
The Weather Harp
by Molly Jones (University of Michigan)*; Adam Schmidt (Imperial College London); Michael Gurevich (University of Michigan)
-
回溯:Co-constructing a Dual Feedback Apparatus
by Yichen Wang (Australian National University)*; Charles Martin (Australian National University)
-
Bucolic: Cultural Machines Community-Based Human–AI–Robotic Musicianship with Traditional Instruments
by Vasileios Agiomyrgianakis (University of West Attica)*; Haruka Hirayama (Hokkaido Information University); Jussi Tuohino (Oulu University of Applied Sciences); Osmo Hakosalo (Oulu University of Applied Sciences)
-
Displaced Listening
by Taito Fushimi (Keio University)*
-
Fragmented Voices, Activated Space: An Interactive Multimedia Installation Based on "A-Ronne"
by Matteo Tomasetti (Conservatory of Music of Pescara)*; Giuseppe Taffi (Conservatory of Music of Pescara); Enrico Falcone (Conservatory of Music of Pescara); Michele D'Alessio (Conservatory of Music of Pescara)
-
Tattooing voices
by Dylan Beatttie (University of Sussex)*
-
Witch Army: Augmented Wireless Roborecorder
by Liza Bec (BMV Records)*; Tom Mitchell (University of West England)
-
The Accusations That Are Confessions: Improvisation, Embodiment, and Human-Machine Learning
by Lauren Hayes (Arizona State University)*
-
Deep
by Eleonora Susanna (Conservatorio terni); Raul Masu (Conservatorio di Trento )*
-
Dinosaur Choir & the Insect Orchestra
by Courtney Brown (Southern Methodist University)*
-
SampleRate
by Summer Krinsky (Stanford)*
-
(The Presence of) Pressure
by Robert Pritchard (University of British Columbia)*
-
Augurs' Wand present Phosphene
by Mike Cassidy (Concordia University)*; Kristian North (Concordia University)
-
Designing Strategic Incongruity: An Audio Device for Sharpening Pencils
by shinnosuke hirose (keio university)*; Yuta Uozumi (keio university); Ryoho Kobayashi (J.F. Oberlin University); Shinya Fuji (keio university)
-
Nimble Finger Studies/Etudes Digitales
by Jocelyn Ho (University of Sydney)*; Sofy Yuditskaya (Pôle Universitaire Léonard de Vinci); Margaret Schedel (Stony Brook University)
-
iː ɡoʊ weɪ
by Jonathan Reus (University of Sussex)*
-
Kinetic Sound Mobile
by Moe Miyake (Keio University)*; Yuta Uozumi (Graduate School of Media and Governance, Keio University); Ryoho Kobayashi (College of Performing and Visual Arts, J. F. Oberlin University); Shinya Fujii (Faculty of Environment and Information Studies, Keio University)
-
Modes of Sophtar Improvisation
by Federico Visi (Luleå University of Technology)*
-
A Body Knows the Pattern: A Performance System Exploring Embodied Rhythm and Phrasing via NIME
by Evan O'Donnell (Goldsmiths, University of London)*
-
Loop Fracture Loop
by Chris Kiefer (University of Sussex)*; Betty Accorsi (Independent Musician)
-
Snarefication
by Grigorii Osipov (Musikhochschule Lübeck)*; Nicola Hein (Musikhochschule Lübeck)
-
parasitic
by Takuma Kikuchi (Keio University)*; Ryoho Kobayashi (College of Performing and Visual Arts J. F. Oberlin University); Yuta Uozumi (Keio University); Shinya Fujii (Keio University)
-
FO2 - A Laser Feedback Instrument with Bela Gem
by Nicola Hein (University of Music Lübeck)*; Viola Yip (Freelance)
-
Feedback Sensibilities
by Miguel Crozzoli (University of Iceland, Intelligent Instruments Lab)*; Stefanos Vasilakis (University of Iceland, Intelligent Instruments Lab)
-
Zemi
by Maria Sappho (University of Huddersfield)*
-
Embodied Dialogues: a site-specific performance
by Jenn Kirby (University of Liverpool)*; Iris Garrelfs (Goldsmiths, University of London)
-
Host Your Ghosts
by Anthony Marasco (Michigan State University)*; Alexis Bacon (Michigan State University); Sandro Barros (Michigan State University)
-
Twisted Circuits | Rhythm Traces - II For Buchla Music Easel, Musical Agent System, and Sonic Acceleration Box (Bela Gem)
by Nicola Hein (University of Music Lübeck)*
-
The Moving Drone: Negotiating Agency Between the Voice and the Virtual
by Nithya Shikarpur (MIT)*; Victor Arul (Harvard); Anna Huang (MIT)
-
Noise Peddler
by Danny Bright (University of Sussex)*; Lee Westwood (University of Sussex)
-
URTEX FRO: a collaborative, cross-disciplinary improvisation
by Panagiotis Ghikas (Canterbury Christ Church University)*; Daniel Herbert (Canterbury Christ Church University)
-
Gulf: Piano and Gesture-Controlled Live Electronics
by Zubin Kanga (Royal Holloway, University of London)*; Rylan Gleave (Freelance composer); Tom Mitchell (University of the West of England)
-
Sensing the Alice Holt Forest
by Anna Xambó (Queen Mary University of London)*
-
The Human Music Show: Crowd-Prompting as a Playable Social Interface for Generative Live Performance
by Manaswi Mishra (MIT Media Lab)*; Antonis Christou (MIT Media Lab)
-
Quadrumvibrate
by John Ferguson (Griffith University)*; Andrew Brown (Griffith University )
-
Feedforward | unChambered
by Jinku kim (University of Nebraska - Lincoln)*
-
Orrery Arcana: Esoteric and Ecological Correspondences
by Nicole Carroll (Queensland University of Technology )*
-
Keseh Gong: Augmented Balinese Gamelan "Gong" for Interactive Music Performance
by I Putu Arya Deva Suryanegara (Université de Montréal)*; Ni Nyoman Srayamurtikanti (Independent Composer)
-
Catching Sparks
by Nolan Miranda (UC Irvine)*
-
Cica-EMG: Body electricity, electronic music, and neurodiversity
by Atau Tanaka (Goldsmiths University of London)*; Robin Dussurget (Independent artist)
-
Evicshen
by Victoria Shen
-
Dhangsha
by Aniruddha Das
by Tove Grimstad Bang (STMS-Ircam-CNRS-Sorbonne Université)*; Florent Berthaut (CRISTAL Université de Lille); Benedict R. Gaster (University of West of England); Raul Masu (Conservatory of Music F. A. Bonporti)
by Ania Mokrzycka (Loughborough University London); Luiz Ribeiro Sales Fonseca (Loughborough University London); Karina Townsend (University of East London); Vitoria Croda (Loughborough University London); Ines Nolasco (Loughborough University London); Courtney N. Reed (Loughborough University London)*
by Rodrigo Constanzo (Royal Northern College of Music)*; Jordie Shier (Centre for Digital Music Queen Mary University of London)
by Charalampos Saitis (Queen Mary University of London)*; Fabio Morreale (Sony AI); Landon Morrison (University of Rochester); Ashley Noel-Hirst (Queen Mary University of London); Rebecca Fiebrink (University of the Arts London); Joseph Meyer (University of the Arts London); Courtney N. Reed (Loughborough University London)
by Lucia Montesinos (IT University of Copenhagen)*; Tara Pattenden (Queensland Conservatorium Griffith University); Lia Mice (Institute of Contemporary Music Performance)
by Christian Frisson (University of Calgary)*; Marcelo M. Wanderley (McGill University)
by Ashvala Vinay (Georgia Institute of Technology)*; Ian Clester (NoneType)
by Jessica Stanley (Nottingham Trent University)*
by Jocelyn Ho (University of Sydney)*; Margaret Schedel (Stony Brook University); Sofy Yuditskaya (Pôle Universitaire Léonard de Vinci), Susan Goodwin (The University of Sydney)
by Ziyue Piao (McGill University)*; Kanya Chen (Keio University)
by Laddy Patricia Cadavid Hinojosa (University of the West of England UWE Bristol)*; Teo Dannemann (Creative Computing Institute – University of the Arts London); Juan Martinez Avila (University of Nottingham); Ximena Alarcón Díaz (Universidad de Antioquia); João Tragtenberg (Universidade Federal de Pernambuco (UFPE)); Laura Zapata (Independent Researcher); Juan C. Duarte Regino (Aalto University); Moisés Horta Valenzuela (Independent Researcher); Jaime D. Rojas Vargas (Independent Researcher)
by Fabio Morreale (Sony AI)*; Morgan Scheuerman (Sony AI); Giacomo Lepri (Università di Genova); Liam Pram (University of Auckland); Astrid Bin (Universität der Künste)
by Charles Martin (Australian National University)*; Yichen Wang (Australian National University); Pia van Gelder (Australian National University); Doga Cavdir (ITU); Fabio Morreale (Sony AI); Andrew McPherson (Imperial College); Juan Avila (Nottingham); Stefano Fasciani (University of Oslo); Courtney Reed (Loughborough)
by Thomas Geissl (University of the Arts Linz/Tamlab)*
by Jingjing Sun (Imperial College London)*; Francesco Di Maggio (Eindhoven University of Technology); Rebecca Fiebrink (University of the Arts London); Corey Ford (University of the Arts London); Bart Hengeveld (Eindhoven University of Technology); Sebastian Deterding (Imperial College London)
by Adam Schmidt (Imperial College London)*; Andrew McPherson (Imperial College London); Jeff Snyder (Princeton University)
by S. M. Astrid Bin; Nyokabi Kyriũki; Alex Hofman
by Xinran Chen; Nicolò Merendino; Iurii Kuzmin; Mark Grimshaw-Aagaard
by Benedict Gaster; Nathan Renney
by S. M. Astrid Bin; Samuel Karugu; Basile Huguenin
by S. M. Astrid Bin; maj nikita doehring; Berit Greinke
by Anthony Marasco; Alexis Bacon; Sandro Barros
by Zhixing Chen; Heidi Lei; Cheng-Zhi Anna Huang
by Ziyue Piao; Yohei Wada; Isabelle Corssette; Marcelo Wanderley; Akira Maezawa
by Alex McLean; Felix Roos; Matthew Kaney; Martin Gius; Diego Villaseñor; Dagur Kristinn Sigurðsson Björnsson; Jack Armitage; Julian Rohrhuber
by Davide Baldo; raul masu
by kazuhiro jo
by Guillermo de Llera Blanes
by Alon Ilsar; Matt Hughes; Yuka Maruyama; Andrew Johnston
by Henrik von Coler
by Rodrigo Cadiz; Federico Schumacher; Juan Parra Cancino; Michel Rozas; Tomás Koljatic; Miguel Farias
by Charles Martin
by Yiming Li; I-Chieh Wei; Fabio Morreale
by Graham Lazorchak; Emily Wang
by Jasmine Butt; Benedict Gaster; Nathan Renney; Tom Mitchell
by Nathan Salin; Ronan Gaugne; Diane Haering; Valérie Gouranton; Florent Berthaut
by sergey kasich; Breanna Lau
by sergey kasich; Emir Chacra
by Ezra Teboul
by Ciaran Frame; Steph O'Hara; Alon Ilsar; Melinda Smith
by Ruilei Duan; Zhengyang Ma
by Robert Laidlow; Nicola Privato; Victor Shepardson
by Patricia Cadavid Hinojosa; Nathan Renney; Judith Aston
by Colton Arnold; Zhaohan Cheng; Ajay Kapur
by June Kuhn; Andrew McPherson
by Farzad Hosseinabadi; Ian Gibson; Christopher Dewey
by Matthew Hamilton; Michele Ducceschi; Lucia Michielin
by Tristan WU; Ruiji YU; Gus XIA
by Claudio Panariello; Ken Déguernel
by Antoni Rayzhekov; Martin Murer
by Maurilio Cacciatore
by ana schon
by Panagiota Anastasopoulou; Frederic Font; Xavier Serra
by Shuoyang Jasper Zheng; Keigo Yoshida; Nico García-Peguinho; Jiatong Liu; Dan Hearn; Anna Xambó Sedó; Nick Bryan-Kinns
by Manuel Ruiz
by Jason Gao; Shirley Nguyen; Alexandria Smith; Brian Magerko
by Jiayue Wu
by Domenico Cipriani; Sebastian Jordan Montaño; Stéphane Ducasse
by Sergio Ramos Galindo
by Brittney Allen; Andrew McPherson
by Yong Zhao; Marcel Zaes Sagesser
by Casper Preisler; Dan Overholt
by Thomas Geissl
by John Bowers
by Enrique Tomás; Boris Shershenkov
by Błażej Kotowski; Frederic Font
by Matthew Davison; Adam Schmidt; Andrew McPherson
by shinnosuke hirose; Yuta Uozumi; Ryoho Kobayashi; Shinya Fuji
by Nicolò Merendino; Raul Masu; Giacomo Lepri
by Krzysztof Cybulski
by Stefanie Koseff; Madeline Mau; Moira Zhang; Ciarra Black; Jason Wallach; Izabella Rodrigues; Punya Aragula; R. Luke DuBois; William Payne
by Francisco Bernardo; Andrew McPherson
by João Tragtenberg; Filipe Calegario; Eva Rolim Miranda
by Domenico Stefani; Alberto Boem; Luca Turchet
by Domenico Stefani; Francesco Dal Rì; Luca Turchet
by Chris Kiefer; Adam Staff; Andrea Martelloni
by Sofya Yuditskaya; Margaret Schedel; Jocelyn Ho
by Christina Karpodini; Tychonas Michailidis; Richard Davies
by August Black
by Nicola Hein; Viola Yip
by Pablo Mollenhauer; Alejandra Pérez Núñez
by Thor Magnusson
by Halla Stefánsdóttir; Robert Ek; Thor Magnusson
by Francesco Manenti; Raul Masu; Francesco Ardan Dal Rì; Luca Turchet
by Sunshiyu Wang; Changda Ma; Canting Zhu; Gibran Mobarak; Henrik von Coler
by Aswin Karthik Ramachandran Venkatapathy; Christopher Golling; Sebastian Burmester; Noa Sendlhofer; Ruiheng Jiang; Jan Kamm; Raffaello D'Andrea
by Ximena Alarcón-Díaz; Esteban Henao; Ron Herrema; Adriana María Gutiérrez-Grisales; Juan Felipe Amaya-Álvarez; Jorge Bejarano Barco
by Adam Schmidt; Andrew McPherson
by Nicola Giannini; Andrea Gozzi; Dominic Thibault; Ana Dall'Ara Majek; Kevin Gironnay; João Sebastião Lessa Catalão
by Lancelot Blanchard; Perry Naseck; Katherine Liang; Joel Tan; Heidi Lei; Cheng-Zhi Anna Huang; Joseph Paradiso
by Tara Pattenden
by Gustavo Guzmán
by Léo Kulinski; Wendy E. Mackay; Michel Beaudouin-Lafon; Nicolas M. Thiéry
by Rob Canning
by Phoenix Perry
by Huan Zhang; Taegyun Kwon; Anders Freiburg; Junyan Jiang; Hayeon Bang; Hyeyoon Cho; Gus Xia; Akira Maezawa; Simon Dixon; Dasaem Jeong
by Francesco Di Maggio; Catharina Maria van Riet; Sergio Picella; Berry Eggen; Bart Hengeveld
by Marko Jeremic; Akito Van Troyer
by Jonathan Reus
by Adrien Scazzola; Xiao Xiao
by Lennon Seiders; Julie Zhu; John Granzow; Alex Zhang; Anusha Chinthamaduka
by Annie Chu; Jason Smith; Bryan Pardo
by Ryoma Okuda; Julián Villegas
by Shiying Chen; Richard Boulanger
by Michael Clemens; Piotr Walas; Victor Shepardson; Jack Armitage
by Sven Hollowell; Pete Bennett; Paul Marshall
by Luam Clarindo ; Marcelo Wanderley ; Filipe Lopes
by Zeynep Özcan ; Mya Gordon
by Akito van Troyer
by Stefano Fasciani
by Noah Jaffe; John Ashley Burgoyne
by Rui Travasso; Enrico Dorigatti
by Szymon Walendowski; Akito Van Troyer
by Luiz Ribeiro Sales Fonseca; Thiago Albuquerque; Albery Albuquerque; Courtney N. Reed
by Vincenzo Madaghiele; Stefano Fasciani; Tejaswinee Kelkar; Çağrı Erdem
by Simeon Rau; Finn Tobien; Michael Sedlmair
by Pere Amengual-Gomila; Alfredo Sanz-Hervás
by Hugh Aynsley; Miggy Barker; Dave Meckin; Catherine Warner; Thomas Mitchell
by Esther Gruy; Florent Berthaut
by S. M. Astrid Bin
by Qiaosheng Lyu; Ryo Ikeshiro
by iran sanadzadeh; luna valentin
by Alberto Boem; Stavros Skouras; Gad Baruch Hinkis; Mélodie Mousset; Luca Turchet
by Niall McShane; Karl McCreadie; Attila Korik; Damien Coyle
by Eoghan Ó Néill; Maarten van Walstijn; Miguel Ortiz
by Lluis Guerra Recas
by Prakriti Mukherjee; Akhilesh Kumar Bhagat; Kratika Jain; Vivek Rawat; Lakshmi Srinath; Soubhagya K Dev; Sumit Kumar; Gowdham Prabhakar
by Hongzhe Zhu; Charles Martin
by Allwin Samuvel; Tanya Chhabhadiya; Abhishek Kapahi; Pravin Kumar Vasveliya; Abhishek Kashyap; Leha Chilumuri
by Gou Koutaki; Masatoshi Hamanaka
by Thomas Didiot-Cook; Simon Jones; Johanna Blee; Nadine Meertens; Razanne Abu-Aisheh; Ophelia Deroy; Sabine Hauert
by Enrique Tomás ; Boris Shershenkov
by Maxime Popoff; Romain Michon; Pierre Cochard; Tanguy Risset
by Li Yu; Chien-Hsiung Chen
by Kevin Blackistone
by Kevin Blackistone; Martin Kaltenbrunner
by Yueshen Wu; Yuting Xue
by Masami Hirabayashi; Kakuya Shiraishi; Scott Allen
by Koray Tahiroğlu; Mikael Hokkanen; Ariana Marta
by Rubén Bañuelos Preciado
by Kimaya Lecamwasam; Tishya Ray Chaudhuri
by Mercedes Krapovickas; Jan Schacher
by Matthew Keating; Michael Casey
by Natalia Kotsani; Spyros Kantarelis; Vasilis Lyberatos; Edmund Dervakos; Giorgos Stamou
by Celeste Betancur Gutiérrez
by Prabal Gupta
by Mike Cassidy; Kristian North
by Mikhail Mansion; Yasuaki Kakehi
by Joseph Thibodeau
by Sasha Leitman , Stanford University); Matthew Wright , Stanford University)
by Harumoto Kaneko; Gou Koutaki; Shigeru Kai; Akira Maezawa
by Tak Cheung Hui; Xiaoqiao LI; Chun-ting CHAN; Cheuk-Kit CHUNG
by Jaeran Choi; Juhan Nam; Hikari Kuriyama; Gou Koutaki
by Renaud Bougueng Tchemeube; Jeff Ens; Keon Ju Maverick Lee; Philippe Pasquier; Jean-Baptiste Rolland; Yvan Grabit; Maryam Safi
by Tae Kyu Kim
by Erik Løvaas; Courtney Reed; Paul Strohmeier
by Anastasha Rachel Gunawan; Matthew Caren
by Yukihiro Sugawara; Kotaro Watanabe; Shinnosuke Hirose; Moe Miyake; Kenshiro Taira; Sakura Takada; Ryoho Kobayashi; Yuta Uozumi; Kei Fujiwara; Shinya Fujii
by Lucy Strauss; Prashanth Thattai Ravikumar; Matthew Yee-King
by Joseph Burgess; Toby Gifford; Alex Wixted
by Daniel Bisig; Alexander Oknupik; Johannes Schneider; Diane Gemsch; Eleni Mylona; Tim Winkler
by Gwangyu Lee
by Yashas Shetty
by Paul Preuschoff; Karl Deilmann; Lea Schirp; Jan Borchers
by Hani Alshamrani; Sam Ferguson; Andrew Johnston
by Roger Dannenberg
by Lennart Sailer; Henrik von Coler
by enrique encinas; Alexander Refsum Jensenius
by Jia Wu; Dr Tom Mudd; Dr Una MacGlone
by Danny Bright; Lee Westwood
by Wing Hei Cheryl Hui; Patrick Hartono
by Michael Reichmann; Vincent van Rheden; Alexander Meschtscherjakov
by Austin Franklin
by Calvin McCormack
by Noel Alben; Jason Freeman
by Frej Lorenzen; Kevin Hansen; Emil Zawistowski; Eirini Liapikou
by Ross Purves; Nicolas Gold; Evangelos Himonides; Dan Wang
by Pia van Gelder
by Jason Smith; Bryan Pardo
by Gustavo Guzmán
by Solomon Rosenthal; Ajay Kapur; Andrew Piepenbrink
by Debasish Mohapatra; Ziyi Xia; Sidney Fels
by Mateo Larrea; Richard Boulanger; Yuhao Zhang; Jerry Chen; Pedro Sodre
by Han Zhang; Anqi Liu
by Roberto Chiurazzi; Anna Xambó; Charalampos Saitis
by Nikhil Bullock; Charalampos Saitis; Anna Xambó
by Yuki Uno; Fushi Sano; Riki Saito; Ryo Yumoto; Tomoya Nakamura; Tomohiro Samma; Kenta Tanaka; Harukaze Yatsugi; Makoto Sawada; Yuya Kikukawa; Shinya Fujii
by Lei Li; Siliang Du; Duoyi Li; Wenxuan Zhu; Qihao Wang; Yulin Chen; Runhan Liu
by Alex McLean, Then Try This / Pattern Club Dan Stowell, Tilburg University
by Stephen D. Wolff, Brighton & Hove Music for Connection / Max Gate Digital Ltd
by Trisha Khallaghi, University of Bristol Pete Bennett, University of Bristol Atau Tanaka, University of Bristol and Goldsmiths University of London
by Nicholas Shaheed, CCRMA, Stanford University Primrose Ohling, CCRMA, Stanford University Ge Wang, CCRMA, Stanford University
by Visda Goudarzi, Columbia College Chicago
by Jasmine Butt, UWE, Bristol Jennifer Wicks, University of Glasgow Graeme Hogg, Nachleben Film Lab, Suffolk Kathy Hinde, Bristol Experimental Expanded FIlm (BEEF) Enrique Del Castillo, UMBRAFONO Vicky Smith, Bristol Experimental Expanded FIlm (BEEF) Matt Davies, Bristol Experimental Expanded FIlm (BEEF) Melanie Clifford, Bristol Experimental Expanded FIlm (BEEF) Lewis Heriz, Shropshire
by Jiyou Park, Independent Artist/Researcher
by Walker Smith, CCRMA, Stanford University Nicholas Shaheed, CCRMA, Stanford University Michael Mulshine, CCRMA, Stanford University
by Elizabeth Wilson, Creative Computing Institute, University of the Arts London
by Juan Martinez Avila, University of Nottingham Patricia Cadavid H., UWE The Bridge Studios, University of the West of England Rafaele Andrade, Independent Ximena Alarcón Díaz, Universidad de Antioquia Luam Clarindo, Universidade de Aveiro Teodoro Dannemann, University of the Arts London Juan C. Duarte Regino, Aalto University Gustavo Guzmán, Independent Moisés Horta Valenzuela, Tangible Music Lab Alvaro López Duarte, UCR Brain Game Centre Juan M. Ramos, Universidad Nacional de Quilmes Manuel Ruiz, Independent Daniel Upegui Flórez, Universidad de Antioquia
by Benedict R. Gaster, University of West of England Nathan Renney, University of West of England Courtney Reed, Loughborough University London Rodrigo Constanzo, Royal Northern College of Music Jasmine Butt, University of West of England Maisie Palmer, University of West of England Laddy Cadavid Hinojosa, University of West of England Kathy Hinde, Independent Artist Sarah Angliss, Imperial College Atau Tanaka, Goldsmiths University of London Tom Mitchell, University of West of England
by Iurii Kuzmin∗, Hong Kong University of Science and Technology Xinran Chen∗, Hong Kong University of Science and Technology (GZ) Wenqing Gu∗, Hong Kong University of Science and Technology (GZ) Nicolo Merendino∗, Hong Kong University of Science and Technology (GZ)
by Nicholas Shaheed, CCRMA, Stanford University Héloïse Garry, CCRMA, Stanford University
by June Kuhn, Imperial College London Byuka Makodru, Independent Artist & Researcher Courtney N. Reed, Loughborough University London Adam Schmidt, Imperial College London
by Kayla Yazdi (Independent Artist)
by Luciano Ciamarone (Independent Researcher)*; Dora Motèque (Independent Researcher); Marco Giordano (University of L'Aquila)
by Masatoshi Hamanaka (RIKEN); Gou Koutaki (Kumamoto University)
by Marilene Oliver (University of Alberta); Scott Smallwood (University of Alberta)
by Alex McLean (Then Try This)*; Matt Davies (-)
by Steve Symons (University of Sussex)*
by Eleonora Oreggia (Goldsmiths University of London)*
by Sophie Rose (University of Melbourne)*
by Lee Cheng (Anglia Ruskin University)*; Wing Yan Jasman Pang (Technological and Higher Education Institute of Hong Kong)
by Ruilei Duan (Nanjing University of the Arts); Zhengyang Ma (The Hong Kong University of Science and Technology)*
by Rodrigo Constanzo (Royal Northern College of Music)*
by Oliver Bown (University of New South Wales)*
by Shunhang Huang (Zhejiang Conservatory of Music)*
by Molly Jones (University of Michigan)*; Adam Schmidt (Imperial College London); Michael Gurevich (University of Michigan)
by Yichen Wang (Australian National University)*; Charles Martin (Australian National University)
by Vasileios Agiomyrgianakis (University of West Attica)*; Haruka Hirayama (Hokkaido Information University); Jussi Tuohino (Oulu University of Applied Sciences); Osmo Hakosalo (Oulu University of Applied Sciences)
by Taito Fushimi (Keio University)*
by Matteo Tomasetti (Conservatory of Music of Pescara)*; Giuseppe Taffi (Conservatory of Music of Pescara); Enrico Falcone (Conservatory of Music of Pescara); Michele D'Alessio (Conservatory of Music of Pescara)
by Dylan Beatttie (University of Sussex)*
by Liza Bec (BMV Records)*; Tom Mitchell (University of West England)
by Lauren Hayes (Arizona State University)*
by Eleonora Susanna (Conservatorio terni); Raul Masu (Conservatorio di Trento )*
by Courtney Brown (Southern Methodist University)*
by Summer Krinsky (Stanford)*
by Robert Pritchard (University of British Columbia)*
by Mike Cassidy (Concordia University)*; Kristian North (Concordia University)
by shinnosuke hirose (keio university)*; Yuta Uozumi (keio university); Ryoho Kobayashi (J.F. Oberlin University); Shinya Fuji (keio university)
by Jocelyn Ho (University of Sydney)*; Sofy Yuditskaya (Pôle Universitaire Léonard de Vinci); Margaret Schedel (Stony Brook University)
by Jonathan Reus (University of Sussex)*
by Moe Miyake (Keio University)*; Yuta Uozumi (Graduate School of Media and Governance, Keio University); Ryoho Kobayashi (College of Performing and Visual Arts, J. F. Oberlin University); Shinya Fujii (Faculty of Environment and Information Studies, Keio University)
by Federico Visi (Luleå University of Technology)*
by Evan O'Donnell (Goldsmiths, University of London)*
by Chris Kiefer (University of Sussex)*; Betty Accorsi (Independent Musician)
by Grigorii Osipov (Musikhochschule Lübeck)*; Nicola Hein (Musikhochschule Lübeck)
by Takuma Kikuchi (Keio University)*; Ryoho Kobayashi (College of Performing and Visual Arts J. F. Oberlin University); Yuta Uozumi (Keio University); Shinya Fujii (Keio University)
by Nicola Hein (University of Music Lübeck)*; Viola Yip (Freelance)
by Miguel Crozzoli (University of Iceland, Intelligent Instruments Lab)*; Stefanos Vasilakis (University of Iceland, Intelligent Instruments Lab)
by Maria Sappho (University of Huddersfield)*
by Jenn Kirby (University of Liverpool)*; Iris Garrelfs (Goldsmiths, University of London)
by Anthony Marasco (Michigan State University)*; Alexis Bacon (Michigan State University); Sandro Barros (Michigan State University)
by Nicola Hein (University of Music Lübeck)*
by Nithya Shikarpur (MIT)*; Victor Arul (Harvard); Anna Huang (MIT)
by Danny Bright (University of Sussex)*; Lee Westwood (University of Sussex)
by Panagiotis Ghikas (Canterbury Christ Church University)*; Daniel Herbert (Canterbury Christ Church University)
by Zubin Kanga (Royal Holloway, University of London)*; Rylan Gleave (Freelance composer); Tom Mitchell (University of the West of England)
by Anna Xambó (Queen Mary University of London)*
by Manaswi Mishra (MIT Media Lab)*; Antonis Christou (MIT Media Lab)
by John Ferguson (Griffith University)*; Andrew Brown (Griffith University )
by Jinku kim (University of Nebraska - Lincoln)*
by Nicole Carroll (Queensland University of Technology )*
by I Putu Arya Deva Suryanegara (Université de Montréal)*; Ni Nyoman Srayamurtikanti (Independent Composer)
by Nolan Miranda (UC Irvine)*
by Atau Tanaka (Goldsmiths University of London)*; Robin Dussurget (Independent artist)
by Victoria Shen
by Aniruddha Das