Programme by Track

Workshops:

• Textile Testimonies: Feminist Sonic Practices with Domestic Instruments
  by Jocelyn Ho (University of Sydney)*; Margaret Schedel (Stony Brook University); Sofy Yuditskaya (Pôle Universitaire Léonard de Vinci)
  
• Data Knot: Machine Learning for low latency real-time performance
  by Rodrigo Constanzo (Royal Northern College of Music)*; Jordie Shier (Centre for Digital Music Queen Mary University of London)
  
• Respiratory Musical Interfaces (RMIs) in NIME
  by Ziyue Piao (McGill University)*; Kanya Chen (Keio University)
  
• LATAM NIME GATHERING 2026
  by Laddy Patricia Cadavid Hinojosa (University of the West of England UWE Bristol)*; Teo Dannemann (Creative Computing Institute – University of the Arts London); Juan Martinez Avila (University of Nottingham); Ximena Alarcón Díaz (Universidad de Antioquia); João Tragtenberg (Universidade Federal de Pernambuco (UFPE)); Laura Zapata (Independent Researcher); Juan C. Duarte Regino (Aalto University); Moisés Horta Valenzuela (Independent Researcher); Jaime D. Rojas Vargas (Independent Researcher)
  
• I Resist The Body Electric: Subverting the Capture of Musical Gestures to Train AI Models
  by Fabio Morreale (Sony AI)*; Morgan Scheuerman (Sony AI); Giacomo Lepri (Università di Genova); Liam Pram (University of Auckland); Astrid Bin (Universität der Künste)
  
• From Tacit to Tokenised: Critical Perspectives on AI Text-to-Audio Interfaces
  by Charalampos Saitis (Queen Mary University of London)*; Fabio Morreale (Sony AI); Landon Morrison (University of Rochester); Ashley Noel-Hirst (Queen Mary University of London); Rebecca Fiebrink (University of the Arts London); Joseph Meyer (University of the Arts London); Courtney N. Reed (Loughborough University London)
  
• It’s Play NIME: Mapping Playfulness in NIME
  by Lucia Montesinos (IT University of Copenhagen)*; Tara Pattenden (Queensland Conservatorium Griffith University); Lia Mice (Institute of Contemporary Music Performance)
  
• Future NIME Leaders Workshop
  by Charles Martin (Australian National University)*; Yichen Wang (Australian National University); Pia van Gelder (Australian National University); Doga Cavdir (ITU); Fabio Morreale (Sony AI); Andrew McPherson (Imperial College); Juan Avila (Nottingham); Stefano Fasciani (University of Oslo); Courtney Reed (Loughborough)
  
• Collective Attachments and Community Responsibilities: The Impact of NIME Research
  by Tove Grimstad Bang (STMS-Ircam-CNRS-Sorbonne Université)*; Florent Berthaut (CRISTAL Université de Lille); Benedict R. Gaster (University of West of England); Raul Masu (Conservatory of Music F. A. Bonporti)
  
• Workshop on Haptic Musical Artifacts: Availability, Replicability, Sustainability of Force-Feedback Devices
  by Christian Frisson (University of Calgary)*; Marcelo M. Wanderley (McGill University)
  
• Zero-Code Rapid Prototyping of Wireless MIDI Devices with ESP-NOW MIDI
  by Thomas Geissl (University of the Arts Linz/Tamlab)*
  
• The Third Bank of the River Lea: Listening to Waterbodies in East London
  by Ania Mokrzycka (Loughborough University London); Luiz Ribeiro Sales Fonseca (Loughborough University London); Karina Townsend (University of East London); Vitoria Croda (Loughborough University London); Ines Nolasco (Loughborough University London); Courtney N. Reed (Loughborough University London)*
  
• Tilde: Collaborative Multi-Modal Music Making on the Web
  by Ashvala Vinay (Georgia Institute of Technology)*; Ian Clester (NoneType)
  
• Feedback-Actuated String Instruments Workshop
  by Adam Schmidt (Imperial College London)*; Andrew McPherson (Imperial College London); Jeff Snyder (Princeton University)
  
• Sounds Like Rain: Prototyping Flexible Electronics for Wearable Interactions with Water
  by Jessica Stanley (Nottingham Trent University)*
  

Papers: Coming Soon

Music: Coming Soon