Posters 3

• Friday 2026-06-26 12:30-14:30 BST
• Location: TBD Poster Area
• Type: posters

Presentations:

• From Controller User to Instrument Designer: Teaching NIME in a Contemporary Music Context
  by Akito van Troyer
  
• From Passive Agent to Musical Partner: Insights from the MAD Clarinet Project as a Case Study
  by Rui Travasso; Enrico Dorigatti
  
• Autonomous Listening-Based Synthesizer Control with Reinforcement Learning for Live Sound Matching
  by Vincenzo Madaghiele; Stefano Fasciani; Tejaswinee Kelkar; Çağrı Erdem
  
• From the Speculative to the Tangible: Incorporating Generative AI Tools into an Accessible Instrument Design Workflow
  by Hugh Aynsley; Miggy Barker; Dave Meckin; Catherine Warner; Thomas Mitchell
  
• Negotiating Control and Agency: Somaesthetics and Feminist Perspectives on a Wearable E-Textile Instrument
  by Qiaosheng Lyu; Ryo Ikeshiro
  
• Imagined Movement as Sonic Gesture: Auditory Expression from a Deep Learning-Based Motion Decoding BCI
  by Niall McShane; Karl McCreadie; Attila Korik; Damien Coyle
  
• A Web Interface for Real-Time Interaction with Machine Learning in Musical Performance
  by Hongzhe Zhu; Charles Martin
  
• nOdes: A Networked Constellation of Handheld Orbs for Community Music-Making
  by Thomas Didiot-Cook; Simon Jones; Johanna Blee; Nadine Meertens; Razanne Abu-Aisheh; Ophelia Deroy; Sabine Hauert
  
• Ultrasound Probe as Tool for Tangible Sound Performance Using Physically Sculpted Phantoms
  by Kevin Blackistone
  
• nocturneAR: An Outdoor AR-Based Musical Interface in Dark Transitional Landscapes
  by Masami Hirabayashi; Kakuya Shiraishi; Scott Allen
  
• Understanding Listener Perceptions of AI and Human-Composed Music in Emotional Applications
  by Kimaya Lecamwasam; Tishya Ray Chaudhuri
  
• Emotion and Expressivity in Music Performance: A Multimodal Approach
  by Natalia Kotsani; Spyros Kantarelis; Vasilis Lyberatos; Edmund Dervakos; Giorgos Stamou
  
• A Phase-Coherent Paradigm for Audio-Laser Synthesis
  by Mike Cassidy; Kristian North
  
• The Story of The Max Lab: A Thirty-Six-Year Collaborative Journey
  by Sasha Leitman , Stanford University); Matthew Wright , Stanford University)
  
• Playing Together with a Semi-Automated Robotic Flute Using a Gesture Cue Detection System
  by Jaeran Choi; Juhan Nam; Hikari Kuriyama; Gou Koutaki
  
• Towards Sensory Attenuation as a Measure of Agency Provided by Digital Musical Instruments
  by Erik Løvaas; Courtney Reed; Paul Strohmeier
  
• Cross-Modal Sig2Sig Machine Translation with Deep Generative Modeling for NIME Design
  by Lucy Strauss; Prashanth Thattai Ravikumar; Matthew Yee-King
  
• iXeRemin: Designing a Polyphonic MR Instrument for Artistic Performance and Interaction
  by Gwangyu Lee
  
• A Collaborative Sound Installation Using Projected Geometry and Spatial Interaction
  by Hani Alshamrani; Sam Ferguson; Andrew Johnston
  
• The Perfect Wrong Note: Vyping and the Keyboard as Musical Interface for Human-LLM Interaction
  by enrique encinas; Alexander Refsum Jensenius
  
• Peripersonal Modular Interfaces for Care Ecologies: Decoupling Sensing and Surface in Accessible Digital Musical Instruments
  by Wing Hei Cheryl Hui; Patrick Hartono
  
• Scalable Accessible Music-Making with Commodity Controllers and Modular Augmentations in Resource-Constrained Settings
  by Calvin McCormack
  
• Constructing creativity: secondary school pupils designing and building musical instruments with Lego
  by Ross Purves; Nicolas Gold; Evangelos Himonides; Dan Wang
  
• Murzinograph: Navigating Sound through Latent Space Visualizations
  by Gustavo Guzmán
  
• Satie: A Creativity Support Tool for Authoring Spatial Generative Audio
  by Mateo Larrea; Richard Boulanger; Yuhao Zhang; Jerry Chen; Pedro Sodre
  
• Algorithmic Drum Machine with Light Dependent Timbre Control
  by Nikhil Bullock; Charalampos Saitis; Anna Xambó
  
• Biofeedback Suite as an Instrument: Emotion Mappings for Musical Practice
  by Lluis Guerra Recas
  
• Tian Jinqin’s String-Controlled Instruments: Formalizing and Reimplementing a Ribbon-Based Interaction Design Pattern
  by Enrique Tomás ; Boris Shershenkov